Volume 4, Issue 2

Welcome to Spring 2006


Saqra's Showcase


      
    So April rolls around and Chris and I are off on another road trip, this time to Hillsboro, Oregon, which is in the Portland area.  My first time driving to the Portland area was not a pleasant one I have to say.  Between the rain and every trucker on the road seeming to aim at my poor little van, it was a long drive.  I found out later that truckers are in a hurry to get through Oregon on Friday, because if they don't they can't leave until Monday.  (Monday morning everyone was driving like normal people.)   After getting lost only once we made it to our hotel and checked in.  We got a lovely big room which was set up for the handicapped, I guess that was because I reserved under a Senior Rate.  Friday afternoon the Showcase starts with several workshops and vender set up.  This is always a blast, because most venders are friends and really like each other.  It is hard work, but catching up with friends is always a joy.  Saqra is always a very welcoming hostess, even when she is trying to get everything organized with workshops, volunteers, venders, and stage set up.
    Saturday was the first day of the dancing and shopping portion of the Showcase.  There are still lots of workshops, but there is also festival dancing for all who care to perform.  Sign up is on line for the dancing and is on line months in advance.  A nice big tent is provided for a dressing room with mirrors.  It is a warm and friendly atmosphere for dancers to strut their stuff.  The dancing goes all afternoon and into the night.  
    Saturday night was not so pleasant.  When we got back to the hotel we found Road Rally people working on their cars in the motel garage.  Then we couldn't get into our room, we had been locked out.  The front desk said I had made a reservation for only one night - WRONG!  I made a reservation for 2 nights on their web site.  They said I should have told them, since the web site doesn't always work.  My thought - then FIX IT!  Or at least ask me, when I check in and you see I made a reservation on line - ON YOUR COMPUTER.  Well we got into our room, but of course it had not been cleaned and we had to go get our own towels.  I checked out the next morning and complained, but no one cared enough to even give me a discount.  I will NEVER stay there again and will not recommend it to anyone.  I wrote a scathing review to corporate, but got not even a 'we are so sorry'.  With so many hotels and motels in the area - that is no way to do business!!  I will check out other hotels in the area the next time I go.
    Sunday there are more workshops at the Showcase and more dancing.  Sales are always slower on Sunday, because everyone is tired.  After our terrible hotel night we were tired too, so we just kicked back and enjoyed the dancing and our friends.  The festival ends around 5ish.  We were already packing up by then as were most of the venders.  Once loaded, we said our good-byes to everyone and then hit the road heading south and out of Portland.  We learned our lesson last year to get out of Portland Sunday night, because Monday morning commuter traffic can be a nightmare.  After staying in a little motel by the highway, Monday morning we drove on home.
    As always, Saqra's Showcase is a fun event.  Unfortunately some of the fun was taken away by the rotten hotel, but that is not Saqra's fault in anyway.

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How to Make Your Own Belly Dance Costume

Part Three: Embellishing the Belt

by  Janie “Jenee” Midgley

This article first appeared in the March 2006 issue of Jareeda magazine.  
It is part of a series of Costuming articles I am writing, as on of their staff writers.


Embellishing a costume, any costume, is a layering process.  You start with the covered base (which we did last issue) and layer on the embellishments.  I suggest that you gather the goodies that you want to put on your belt and lay them out on your belt.  Play with the different possible components, move them around on the belt form.  Stand back and look at them.  Look at the layout from across the room to see if it will show up from a stage.  Okay, you may be asking, “What is she talking about?”  Many costumers, new and experienced, get hung up on matching the colors.  If all of your components are the same color, it will look like just a block of color on stage.  All your hard work simply disappears with distance. 
   
Work with single layers as well as stacking things up on one another.  Stacking will be perfectly clear when we get to the Tribal Fusion belt.  Keep moving the components around until you get just the look you want.  At this point, draw a sketch or take a picture of what you want it to look like.  You may change your mind as you embellish, but this gives you a starting plan.
   
One more thing about layering your design, you can always add more later.  This is sort of a sneaky concept.  You can have a beautiful new costume to dance in now and then by adding one or more new layers have a new costume all over again.  I will add suggestions for more layers with each belt to give you the idea, as we discuss each belt style.

Tribal Fusion Belt

The beauty of Tribal Fusion itself is the fusing of two or more styles of dance together into one.  Thus your costume can also be the fusing of ideas.  In other words, anything goes!  Some items have become standard, but there are no hard and fast rules. 

First Layer is a yard of 30” Kelly Green chainette fringe, which is sewn onto the bottom of the belt form.  This also acts as accent skirt.  Long fringe adds lots of movement.  I made sure to go end for end on the front piece.  Then I took the leftover fringe and starting in the middle, I worked toward the ends.  This will leave some area uncovered, which is okay.  If any part of your belt is left unembellished, make it the sides for a more slimming look.

Second Layer is 8” Royal Blue chainette fringe, which is sewn on top of the green fringe.  If you put the top edge of the fringe right above, but flat on the form, there will be less bulk.  Make sure you have more than one yard of the second layer fringe, because you will need it to embellish the Bra.  The fringe is sewn, once again, end to end on the front piece.  On the back piece add an inch or two to each side, so it is slightly wider than the first layer.

Third Layer is Honey Beige Tassel Fringe type trim.  This trim adds a little extra bump to your hip movements and the color will also draw the eye to the movement.  Sew it right on top of the blue fringe (see photo).  Once again, end to end on the front piece and slightly wider on the back piece.  Make sure you have purchased enough of this trim, because it will also embellish the Bra.

Fourth Layer is a Shisha Mirror and Embroidery Trim which is multi-colored on black.  Sew this on top of the top edge of the tassel trim, in effect hiding all the other top edges — from a distance it will appear to be one very fancy trim on the bottom edge of your belt.  Sew this trim end to end on the front piece, just as before, but on the back piece also sew it end to end.  This creates a more tied together look.  Make sure to purchase enough, for this trim will also embellish the Bra.

Fifth Layer is a Blue & Gold Embroidered Trim sewn to the top edge of the belt form.  Sew this trim like the last one end to end on both pieces,  Make sure to purchase enough, for this trim will also embellish your Bra.

You are done!  Well except for putting on the hooks and lining it, but we will get to that later.  As you can see, it looks done.  But you could always add shells, coins, or jewelry later.  In fact, you could add all those items later — this IS Belly Dance.

   

Cabaret Belt

Cabaret Style is all about sparkle and flash.  So you choose embellishments that will add to the color, sparkle, and flash of your performance.  You can embellish a costume with nothing but hand beaded designs, but it will come together faster if you use appliqués and prebeaded fringe.  Remember to have complementary appliqués and fringe for your Bra, so your costume looks ‘together’ and ‘complete’.

First Layer is the appliqués.  Choose sequin and beaded appliqués that will create an unique look.  The whole beauty of making your own costume is that you won’t see another like it.  I choose appliqués that would accent the V design.  My appliqués are Gold with silver and red for accent colors.  I set them at an angle for the V shape.  I also used longer appliqués for the back piece since it is bigger.  The same smaller appliqués that were used on the front piece, will be used on the Bra.  Sew them in place using matching thread, sew all the way through the belt form so they are very secure.

Second Layer is the prebeaded fringe.  I used 8” Gold high quality fringe.  Do not skimp on quality or your beads will not hold up to the centrifugal force of your hip movements.  Poor quality fringe will mean your beads are on the stage, not on your hips.  Start at the center of each belt form, sew the fringe to the edge (lay the top of the fringe on the belt and sew it to the belt through the form for strength) with bead or upholstery thread.  Glass beads are heavy, so they need strong thread to hold them.  Sew the fringe to just slightly beyond your appliqués.  By centering your fringe, you create a more slimming line.  Sew single row Gold Sequin Trim on top of the fringe edge to hide the ugly top edge.

Third Layer is extra beading and handmade fringe.  This is what sets your costume apart from the others.  I did a rope in silver around the top of the appliqué, a cover stitch in red sequins and beads, and red beaded fringe with red paillettes.  These added depth and texture to the design.
You are done!  Well except for hooks and eyes and lining, but we will cover all linings and closures all at once, later.  I might add some more hand beaded fringe with Paillettes to fill in the gap in between the appliqués.  I will decide, while I’m working on the bra.  If the bra needs more, then I will have to add more to the belt so they coordinate.

 

 

ATS Tassel Belt

First Layer is of course Tassels!  I choose to do both single and double (2 on a single cord) tassels.  I am presuming that you know how to make a yarn tassels.  I use needlepoint wool yarn for my tassels, because I believe they bounce better.  I sew the tassel cords to the edge of the belt from the back side after it has been lined.

Second Layer is a unique wide trim that I decided to use as an embellishment.  I extended the trim to use as the ties too, even though I had cut out fabric for the ties.  I was going to put the trim on the ties, but it was too bulky.  If the ties are too bulky, you will not be able to get a tight knot.

Third Layer is Cowry Shell designs down by the bottom point.  The shell designs serve to add weight to hold the belt down for a good fit. Cowry Shells were used a lot by nomadic tribes for decoration, so you are adding a touch of realism too.  Use the two hole pre drilled shells.  They can be easily sewn on with a long beading needle and beading thread.  A flat bead was used in the middle to complete the flower motif.

The belt is lined with the same fabric, this finishes the belt and protects the stitches.  You are done!  You might want to add brass bells to the bottom tassel on the two tassel strands, the weight helps the tassels swing out more in spins.  I might also add embellishment to the waistband trim.  I will know when I see how the trim looks on the bra.

 

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Teaching at BDUSA in Oregon

    Once again, Bill and I headed out to Oregon for Mezdulene's Belly Dancer USA Contest.  We had so much fun the year before, that we could hardly wait.  We went a couple of days earlier than the event so we could have a little R&R, before our work started.  I have said it before and I will say it again Seven Feathers Hotel and Casino is a wonderful place to stay.  I highly recommend it.
    This year I had been hired to teach my "Boobology 101" class as one of the two workshops.  I was thrilled.  I was even more thrilled when I found out, that I had SOLD OUT!!  WOW!!  Boobology 101 is my Costume Bra making workshop.  I had a great group of ladies who responded well to my style of teaching.  I covered a bra right in front of them, which is a great way to prove some of my points.  The workshop includes lots of examples of bras in many stages of completion and items I use in the construction.  It also includes a small handout.  Halima attended and promised to review the workshop for Jareeda.  I will include the review as soon as it is printed.   To read Halima's review of workshop click here Halima's Review .
    The contest was a lot of fun as always and A LOT of great talent entered the contest as well.  We enjoyed ourselves fully and will be back again!!!!  Promise.
   
Beginners
1st Cassandra
2nd Raena
3rd Chelsea

Intermediate/Advanced
1st Vahana
2nd Vasiliki
3rd Fawhah

Hobbyist
1st Maia
2nd Mayette
3rd Samovila

Alternative Music Professional
1st Namira
2nd Gwendolyn
3rd Angelina

Dance of the 7 Veils
1st Elisa Gamal
2nd Karla
3rd Makara

Alternative Music non-pro
1st Adira
2nd Molicka
3rd Kalisha

Goddess
1st Fez Carita
2nd Taroob
3rd Roxannah

Troupe
1st Sahara's Dream
2nd Gypsy Mystique
3rd Caravan Dancers

Belly Dancer USA 2006
1st Rachel George
2nd Namira
3rd Elisa Gamal