Putting on Wiggles of the West IS a lot of work,
but it is just so much fun, when the actual event starts. I have probably
said this before, ww plan the contest all year. We are now in year
Eleven now, hard to believe, and things sort of fall into place without
a lot of worrying.
However we were thrown a curve on our Bonus Day. The Set Up Crew
set up the whole ballroom for the contest, instead of the smaller
area we had reserved. They let us have it for the same price and it
worked out beautifully!!! The band and the scheduled dancers got to
perform on the stage during the Hafla. It was like a night club. Everyone
loved it, so the Bags are going to do it again next year. We also
had three workshops on Thursday instead of our normal two, during the day.
taught my new
"Hip Fit" workshop - making a Costume Belt - first
thing in the morning (not the best time, so I took it to be fair to the
other teachers). I had three attendees who had never made a costume,
nor did they sew - that is a first!
Saahira taught
"Stage
Presence: Be the Dancer" next to a slightly larger group than I had.
The third workshop was taught by our dear friend
Jim Boz, we
had never tried three workshops before, but he was willing to gamble with
us. He had a huge turn out! Considering it was Thursday afternoon
it was GREAT! Jim taught
"Hip Articulations & Isolations for
Accents & Drum Solos". What a fabulous workshop! We will
definitely have him teach again.
Starr
Thursday night
Mediterranean Raqs Band took the stage like they
owned it and wowed us all.
Saqra even acted as MC. Our
dancers were: Katrina, Yasmina La Rouche, Rose & Valerie, Roxanne,
Starr, Nahlah and her troupe (including her 9 month pregnant daughter),
and Natira. And of course lots of open floor time for all of us to
kick up our heels. Actually having the bigger room was perfect, because
we had such a huge turn out. The Hafla is really catching on and growing!!
Katrina
Nisha
Natira
Friday started off as always with vender set up, which
is a combination of fun, chaos and hard work. We all have to bring
in our merchandise and set it up, which is hard work. The chaos comes
from everyone bringing in stuff from all directions. The fun, well
the fun happens whenever we all get together. Venders like each other
and we have a ball together, before we have to get down to work. Friday
afternoon Saqra taught her "Two sided and Double Veil" workshop to a very
nice group on and off the stage. The contest began around 6 pm with
demo dances from Jim Boz and Saqra. Generally Demo dances are done
by our Judges and/or Workshop Instructors.
Jim Boz (CA) & Saqra (WA) Demo Dances
Jasmina (CA) is Headliner of the Year
Sidonia om Dunia (ID) 2nd
Yasmina (AZ) 3rd
Petit Jolie (CA) is Mini Ensemble of the Year
Nadira & Rachel (WA) 2nd
Hadia Sahara 3rd
Saturday started at Noon with our now famous (or is that
infamous) Fashion Show. I guess this has been going on for about five
years now, so it is tradition. Everyone gets into the act. Venders
dress-up very willing volunteers, which include Judges, contestants, and
audience members. Designers get to show off their creations. The
whole thing is organized by Gaylene of Gaylene's Boutique and Nabeela el
Shalimar, who also acts as the MC. The Fashion show takes about a half
hour and replaces the Demo dances. Everyone loves it
.
Ayesha's Oasis (OR) is Ensemble of the Year
Ooh La La (CA) 2nd
Troupe Raks A' Diva 3rd
Yasmine (CA) won Alternative Wiggles
Shabnam (CA) 2nd
Doretta (CA) 3rd
Sunday starts later since we have no workshops, everyone
needs to sleep in a bit. Many people meet for breakfast and socialize.
Then at Noon we start off with Demo dances again, it is a great way
to warm up the crowd for the contestants. Demos were done by Mezdulene
of Jareeda fame and Kami Liddle our Entertainer of the Year for 2005.
Kami Liddle
Rayah (CA) is Rising Star 2006
Nadana (NV) 2nd
Selena (CA) 3rd
Asha Belly Dancers (NV) won Alternate Ensemble
Terpsicore in Veils (CA) 2nd
Shift-a-Belly (CA) 3rd
Oreet (NY) is Entertainer of the Year 2006
Rachel (WA) 2nd
Shabnam (CA) 3rd
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How to Make Your Own Belly Dance Costume
Part Four: Buying and Covering the Bra
by Janie “Jenee” Midgley
This article first appeared in the April/May
2006 issue of Jareeda
magazine.
It is part of a series of Costuming articles I am writing, as
on of their staff writers.
I’m going to cover one bra for demonstration, because
basically I do it the same way every time. I chose the Cabaret bra,
because the lighter fabric will show up better in photos. Buy a
bra that fits comfortably, fit is the most important part. Buy one
that is big enough, but not a size bigger, as you may have heard before.
With my draping method there is no reason to buy larger. You will
need a bra that supports itself, by this I mean that the cups will stand
up on their own. You do not need a cup so hard, that when you knock
on it, it sounds like a helmet. Comfort is my big thing. Straps
and fasteners are nothing to worry about, because we will replace them.
1. If there is lace on the bra or a cute bow, cut it off, it is
usually just tacked on. If lace connects the cups, reinforce it.
I generally reinforce with felt, but since the cover fabric is lightweight
I chose to reinforce with interfacing.
2. Cut off the straps and the hook & eye areas. We will
be replacing those later. Now cut a square of fabric large enough
to easily cover the bra cup. Don’t be stingy, more is always better
than trying to piece something together.
3. Now start pinning. One pin at the point of the cup to
hold the fabric centered. Next a pin on each of the 4 compass points.
Now starting at the top and pin along the edge of the cup, the top edge
must be smooth. Work your way around the inside of the cup edge pinning.
(See Photo below) If the fabric is soft you can work the cover fabric
so you have one large dart on the bottom or the side and sometimes both.
With this fabric it worked out to have 3 darts. Keep the fabric smooth,
but do not stretch it in anyway. Stretching it will make the cups
smaller and flatter.
4. Next pin on the outside edge of the under wire. I prefer
under wire bras for best support. Turn the fabric over the edge of
the top and pin again. Turn the fabric over the edge of the bottom
and pin again. Now you are ready to start stitching in place.
5. Hand sew using small stitches on the top so they barely show,
if possible, leaving the longer traveling stitches for the underside.
Don’t worry about these showing, because you will be lining the bra cups.
Do not pull stitches too tight. If you pull too tight you will make
the cups smaller and flatter.
6. Both cups are now covered and stitched down. Take a squarish
scrap of the cover fabric fold the sides under and pin it in place to cover
the center part and stitch into place.
7. Take a piece of paper (I used copy paper) and lay your bra
side panel on it. Mark the width of the side as it connects to the
cup. Draw the slant of the bra. Now stretch the side as far
as you can, mark it. Now connect your marks to form a pattern for
the side panel. Add about 1/2 inch to the sides for your sewing
allowance. You now have a pattern for the side panel casing.
By keeping the original side panel intact you will give yourself both breathing
room and more support.
8. If your fabric is soft, cut four sides. If the fabric
might be damaged by sweat or be scratchy against your skin, cut two of the
top fabric and two of a lining fabric. Make sure to cut one pair with
your pattern up and one pair with your pattern down to accommodate the different
two sides. The connection point is slightly longer on the bottom side
of the bra, so you need one set for each side, left & right.
9. Sew the sides together, right sides together, on the sewing
machine. Turn the right sides out. Top-stitch close to the edge
for extra strength.
10. If you haven’t cut the hook and eye sections off, cut them
off now. Take interfacing or felt and sew it onto the cut ends of
the side pieces on the sewing machine. Go back and forth on the elastic
edge and the felt/interfacing so the are strongly connected.
11. Now feed the side into the side casing, making sure the new
end goes all the way to the end of the casing. Pin the interfacing/felt
in place through all the layers, this is where you will attach your new
stronger hook and eye later. Bring the wide edge up to the bra and
pin it in place on top side. Hand stitch this to the bra covering and
the bra. Now turn it over and sew the facing side to the bra edge.
12. Making the Straps: I use belting twill tape (which
I also sell on my web site and at workshops — sorry small plug), because
it will support any weight added to the bra during the embellishing.
For larger sizes I use 1 inch wide twill tape, because it will not cut into
your shoulders. For smaller sizes I cut the twill tape in half or
3/4 or you can buy it that size. Measure how long they need to be
front to back. I do not recommend a Halter Style neckline. It
puts too much pressure on your neck vertebrae. It is especially bad
for large breasted women or a bra that has a lot of embellishment.
Standard Straps go from front to back and attach close to the hook and eye
area, so they do not slip off your shoulders. Cross-over Back straps
give the illusion of a halter neckline, but cross over in the back for the
proper support. Cross-over Straps need to be longer.
13. Lay your twill tape on your fabric and cut a long rectangle
wide enough to overlap on the back side of the strap. Fold the first
side over to almost the edge and pin in place. Fold the second half
over the other side, this will give you a smooth front side. Tuck
under about 1/4 inch of fabric to make a finished seam and protect from raveling.
Hand stitch the fabric in place.
14. Attach the straps to the front by placing them where the
old straps were and behind the cup. Hand stitch in place.
Don’t skimp on these stitches, they are your support structure.
15. You are now done with the covering and ready to embellish!!!
************************************************************************************
Custom Designs by Janie
Red Flame on display & worn by its proud new owner Nahlah of Reno,
Nevada
This lovely Bedlah set was originally custom made for
me, but I had to come to the realization that with my arthritis I can no
longer wear bedlah. I would have to bring my own dresser everywhere.
So now I am completing the bedlah I started for me and selling them.
I am also doing a very limited amount of Custom Costumes
for established customers.